Home             Info             Works             Shows             Streams             Press             Contact


20
24



2084: A Space OdysseyGROUP | Unfold X, Culture Station Seoul 284 | Seoul, South Korea

How Do I Get There?
SOLO | MIRE Public Art Program | Geneva, Switzerland
38th Panorama of Brazilian Art:
A Thousand Degrees
GROUP | Museum of Modern Art of São Paulo | São Paulo, Brazil
Black Ancient Futures
GROUP | MAAT | Lisbon, Portugal
Terceiro Mundo: A Dimensão Descoberta
SOLO | Pinacoteca de São Paulo | São Paulo, Brazil
CIRCA PRIZE: Class Of 2024
GROUP | CIRCA | London, United Kingdom
Toy Section
GROUP | Hangar Y | Meudon, France

Continuity Flaws: Rumors Of A Leak
SOLO | TONO Festival, Laboratorio Arte Alameda | Mexico City, Mexico
20
23


Third World: The Bottom Dimension
SOLO | Serpentine Galleries | London, United Kingdom
Continuity Flaws: The Loophole
SOLO | Outernet Arts, Outernet London | London, United Kingdom
20
22


WORLDBUILDING: Gaming and Art in the Digital Age GROUP | Julia Stoschek Foundation | Düsseldorf, Germany

OMOIYARI: KEIKEN X GABRIEL MASSANDUO | The Photographers' Gallery | London, United Kingdom

CIRCA PRIZE: Class Of 2024

2024 | GROUP SCREENING
CIRCA | London, United Kingdom

CIRCA 20:24 manifesto, <<Break Free>> Time’s Arrow Flies Forever Forward’
The cycle will not break itself. Amid the earthquake of civil rights struggles and independence movements, Mariama Bâ wrote that it was the privilege of her generation to be ‘messengers of a new design,’ heralding a new era of liberation. 

These messengers – freedom fighters, artists, and intellectuals – had the duty to become ‘inventors of souls’, said Aimé Césaire. Working relentlessly and passionately to raise consciousness and incite suppressed intelligence, the masses, freed from domination, held the power to shape worlds.

In 2024, we face a gathering storm: political, social, and ecological. Once more, cycles are ending and being reborn. The work of liberation remains far from finished. This year, earthly seasons will arrive as familiar chapters but bring with them haunting cold and unprecedented heat. Elections promise a new class of leaders, while genuine hope for change remains elusive. Do we, finally, stand on the cusp of breaking free from the past? What hangs by its last thread: our hopes or the ties that confine us?

Since 2020, CIRCA has stopped the daily cycle of advertisements on Piccadilly Lights more than one thousand times to mobilise the world’s greatest creative minds to broadcast unique works of art that consider our world circa now. Across the world – in New York, Tokyo, Seoul, Milan, Berlin, Los Angeles, Lagos, and elsewhere – these messages have sought to break the cycle thousands of times more. 

Breaking free from our own curated cycle – commissioning a different artist each month – this year we slow the clock to make room within our programme for moments of liberation, elevated consciousness, and a more meaningful dialogue with global events. As our daily screening time moves forward by another minute to 20:24, we unveil a new, quarterly sequence of solar seasons that mark a new phase in our evolution. Entrusting each season to a single messenger: four pathbreaking artists charged with the responsibility to inspire new concepts of freedom.”

CURATORS CIRCLE including Mohamed Almusibli (Kunsthalle Basel, Basel), Attilia Fattori Franchini (Kunstverein Gartenhaus, Vienna), Sydney Fishman (BOFFO, New York), Sohyeon Park (Incheon International Airport Art and Culture, Incheon), and Kostas Stasinopoulos (Serpentine Galleries, London).
Jury including Marina Abramović, Lisa Anderson, Nicoletta Fiorucci, Michèle Lamy, Hans Ulrich Obrist, Josef O’Connor, Kembra Pfahler, Sir Norman Rosenthal, Slawn, Nadya Tolokonnikova and Ai Weiwei.

Continuity Flaws: Rumors Of A Leak

Multichannel Videogame Installation, 3D Animation, Digital Sculpting, color, sound.



CONTINUITY FLAWS: RUMORS OF A LEAK
by Gabriel Massan

Technical Direction and Animation
In collaboration with Carlos Minozzi
Original Soundtrack and SFX
Agazero
LYZZA