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2084: A Space OdysseyGROUP | Unfold X, Culture Station Seoul 284 | Seoul, South Korea

How Do I Get There?
SOLO | MIRE Public Art Program | Geneva, Switzerland
38th Panorama of Brazilian Art:
A Thousand Degrees
GROUP | Museum of Modern Art of São Paulo | São Paulo, Brazil
Black Ancient Futures
GROUP | MAAT | Lisbon, Portugal
Terceiro Mundo: A Dimensão Descoberta
SOLO | Pinacoteca de São Paulo | São Paulo, Brazil
CIRCA PRIZE: Class Of 2024
GROUP | CIRCA | London, United Kingdom
Toy Section
GROUP | Hangar Y | Meudon, France

Continuity Flaws: Rumors Of A Leak
SOLO | TONO Festival, Laboratorio Arte Alameda | Mexico City, Mexico
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Third World: The Bottom Dimension
SOLO | Serpentine Galleries | London, United Kingdom
Continuity Flaws: The Loophole
SOLO | Outernet Arts, Outernet London | London, United Kingdom
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WORLDBUILDING: Gaming and Art in the Digital Age GROUP | Julia Stoschek Foundation | Düsseldorf, Germany

OMOIYARI: KEIKEN X GABRIEL MASSANDUO | The Photographers' Gallery | London, United Kingdom

Continuity Flaws:
Rumors Of A Leak

2024 | SOLO SHOW
TONO Festival, Laboratorio Arte Alameda | Mexico City, Mexico

“This new video installation by Brazilian artist Gabriel Massan marks their first presentation in Mexico and critically explores the performative essence of life, drawing on decolonial, queer, and decentralised perspectives. Referencing Brazilian philosopher Denise Ferreira da Silva’s book Unpayable Debt – a Black feminist reading of race, global capitalism and futurity, Massan simulates a new world filled with digital sculpture-actors, who establish a force-field of possibility through moments of connection. Filmed from multiple perspectives, Massan offers an ecosystemic view on the realities of life and emergence in the global present, as their characters interact, unite, and bid farewell on small islands suspended in the void.

Expanding their practice of critical worldbuilding, Massan actively creates spaces that promote the emergence and platforming of diverse voices. The accompanying soundtrack features Massan’s voice and sound design by Brazilian artists Agazero and Lyzza.

This co-commission between TONO and Serpentine Arts Technologies connects with Third World: The Bottom Dimension, Massan’s ongoing project commissioned and produced by Serpentine Arts Technologies that incorporates a video game, exhibition and web3 tokens powered by Tezos. Through the prisms of decoloniality, queerness and decentralization (technological, social, economic and ideological), Third World: The Bottom Dimension challenges us to rethink the ways in which we understand and orient ourselves in the world.

This new co-commission was made possible by the Rosenkranz Foundation and the Friends of TONO Circle.”

Lead Artist
Gabriel Massan

Costume Design

Oscar Ouyang

Animation
Carlos Minozzi

Sound Design
Agazero
LYZZA

Studio Management
Antoine Simeão Schalk

TONO Curation
Samantha Ozer

Laboratorio Arte Alameda Curation
Lucía Sanroman

Serpentine Galleries Curation
Tamar Clarke-Brown

Laboratorio Arte Alameda Production
Marcos Ysair Pérez Botello

Installation Design
Germen Estudio
Installation Fabrication
Trazos

Headset Sculpture Fabrication
Sebastián Martínez
Marco Palma

Original; Program Adaptation
Esteban Chapela

Technical Design Support
Ivalyo Getov

Projectors
Final Solution

CPU Asssemble
Serigala

Technical Support
EIDOTech, Berlin

Technical Sketches
Ricardo Sommer

Translation
Luis Garay


Continuity Flaws: Rumors Of A Leak

Multichannel Video Installation, 3D Animation, Digital Sculpting, 05”00’, plush, textile, color, sound, loop.

From Evan Moffitt’s article ‘Gabriel Massan’s Games of Reefs and Rain’, published at Frieze:

“Debuted as an immersive video installation at Laboratorio Arte Alameda, ‘Continuity Flaws: Rumors of a Leak’ was co-commissioned by Serpentine Arts Technologies and Tono, the Mexico City-based festival of moving image and performance art. On six screens of differing sizes and shapes appear a randomized selection of digital animations corresponding to a video game, playable on the digital platform Steam. Colourful, spindly creatures resembling sculptures by Niki de Saint Phalle traverse a dreamworld of archipelagos suspended in a stormy grey void that recalls floating land masses from the computer game Myst (1993). Glittering plants, rocks and waterfalls without visible sources form a literal cloud forest, an Amazon in the air. An electronic score by musicians Agazero and Lyzza amplifies its ethereal ambience. Within the ur-grottoes, players encounter spirits who hold their precious ecosystems together. Leaks can threaten the world’s balance – if players choose to steal magical tokens for their own selfish gain – or nourish it, like the game-world’s endless rain.”



CONTINUITY FLAWS: RUMORS OF A LEAK
by Gabriel Massan

Technical Direction and Animation
In collaboration with Carlos Minozzi
Original Soundtrack and SFX
Agazero
LYZZA