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How Do I Get There?SOLO | MIRE Public Art Program | Geneva, Switzerland
38th Panorama of Brazilian Art:
A Thousand Degrees
GROUP | Museum of Modern Art of São Paulo | São Paulo, Brazil
Black Ancient Futures
GROUP | MAAT | Lisbon, Portugal
Terceiro Mundo: A Dimensão Descoberta
SOLO | Pinacoteca de São Paulo | São Paulo, Brazil
CIRCA PRIZE: Class Of 2024
GROUP | CIRCA | London, United Kingdom
Toy Section
GROUP | Hangar Y | Meudon, France
Continuity Flaws: Rumors Of A Leak SOLO | TONO Festival, Laboratorio Arte Alameda | Mexico City, Mexico
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SOLO | Serpentine Galleries | London, United Kingdom
Continuity Flaws: The LoopholeSOLO | Outernet Arts, Outernet London | London, United Kingdom
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OMOIYARI: KEIKEN X GABRIEL MASSANDUO | The Photographers' Gallery | London, United Kingdom
Rumors Of A Leak
“This new video installation by Brazilian artist Gabriel Massan marks their first presentation in Mexico and critically explores the performative essence of life, drawing on decolonial, queer, and decentralised perspectives. Referencing Brazilian philosopher Denise Ferreira da Silva’s book Unpayable Debt – a Black feminist reading of race, global capitalism and futurity, Massan simulates a new world filled with digital sculpture-actors, who establish a force-field of possibility through moments of connection. Filmed from multiple perspectives, Massan offers an ecosystemic view on the realities of life and emergence in the global present, as their characters interact, unite, and bid farewell on small islands suspended in the void.
Expanding their practice of critical worldbuilding, Massan actively creates spaces that promote the emergence and platforming of diverse voices. The accompanying soundtrack features Massan’s voice and sound design by Brazilian artists Agazero and Lyzza.
This co-commission between TONO and Serpentine Arts Technologies connects with Third World: The Bottom Dimension, Massan’s ongoing project commissioned and produced by Serpentine Arts Technologies that incorporates a video game, exhibition and web3 tokens powered by Tezos. Through the prisms of decoloniality, queerness and decentralization (technological, social, economic and ideological), Third World: The Bottom Dimension challenges us to rethink the ways in which we understand and orient ourselves in the world.
This new co-commission was made possible by the Rosenkranz Foundation and the Friends of TONO Circle.”
Gabriel Massan
Costume Design
Oscar Ouyang
Animation
Carlos Minozzi
Sound Design
Agazero
LYZZA
Studio Management
Antoine Simeão Schalk
TONO Curation
Samantha Ozer
Laboratorio Arte Alameda Curation
Lucía Sanroman
Serpentine Galleries Curation
Tamar Clarke-Brown
Laboratorio Arte Alameda Production
Marcos Ysair Pérez Botello
Installation Design
Germen Estudio
Trazos
Headset Sculpture Fabrication
Sebastián Martínez
Marco Palma
Original; Program Adaptation
Esteban Chapela
Technical Design Support
Ivalyo Getov
Projectors
Final Solution
CPU Asssemble
Serigala
Technical Support
EIDOTech, Berlin
Technical Sketches
Ricardo Sommer
Translation
Luis Garay
Multichannel Video Installation, 3D Animation, Digital Sculpting, 05”00’, plush, textile, color, sound, loop.
From Evan Moffitt’s article ‘Gabriel Massan’s Games of Reefs and Rain’, published at Frieze:
“Debuted as an immersive video installation at Laboratorio Arte Alameda, ‘Continuity Flaws: Rumors of a Leak’ was co-commissioned by Serpentine Arts Technologies and Tono, the Mexico City-based festival of moving image and performance art. On six screens of differing sizes and shapes appear a randomized selection of digital animations corresponding to a video game, playable on the digital platform Steam. Colourful, spindly creatures resembling sculptures by Niki de Saint Phalle traverse a dreamworld of archipelagos suspended in a stormy grey void that recalls floating land masses from the computer game Myst (1993). Glittering plants, rocks and waterfalls without visible sources form a literal cloud forest, an Amazon in the air. An electronic score by musicians Agazero and Lyzza amplifies its ethereal ambience. Within the ur-grottoes, players encounter spirits who hold their precious ecosystems together. Leaks can threaten the world’s balance – if players choose to steal magical tokens for their own selfish gain – or nourish it, like the game-world’s endless rain.”
“Debuted as an immersive video installation at Laboratorio Arte Alameda, ‘Continuity Flaws: Rumors of a Leak’ was co-commissioned by Serpentine Arts Technologies and Tono, the Mexico City-based festival of moving image and performance art. On six screens of differing sizes and shapes appear a randomized selection of digital animations corresponding to a video game, playable on the digital platform Steam. Colourful, spindly creatures resembling sculptures by Niki de Saint Phalle traverse a dreamworld of archipelagos suspended in a stormy grey void that recalls floating land masses from the computer game Myst (1993). Glittering plants, rocks and waterfalls without visible sources form a literal cloud forest, an Amazon in the air. An electronic score by musicians Agazero and Lyzza amplifies its ethereal ambience. Within the ur-grottoes, players encounter spirits who hold their precious ecosystems together. Leaks can threaten the world’s balance – if players choose to steal magical tokens for their own selfish gain – or nourish it, like the game-world’s endless rain.”
by Gabriel Massan
Technical Direction and Animation
In collaboration with Carlos Minozzi
Agazero
LYZZA